Textual Poaching: Identity Remix




I chose to explore my identity as a member of the Entertainment Industry. Sometimes being in college theatre we forget that our careers exist inside this realm, as part of entertainment.  It's a show.  And one of the most iconic companies in the business is Disney so I chose to remix the idea of Disney.  I started with the final picture, then added my ideas on the other two as supplements.  This entire project is based around how Disney is represented and what I don't agree with.  I decided to more or less create stills that almost look like they could be used in an ad for Disney.  Upon close inspection the words contrast with the image Disney presents itself as. Growing up I never went to Disneyland and everyone would say to me "oh, then you didn't have a childhood".  Like somehow Disney owns the means of creating a childhood and what it means to be a child.  They aren't just making movies or rides anymore, they are marketing an entire childhood.  And if you aren't a part of it then you somehow aren't a full person yet.  You are missing something that makes up part of being a human almost.  I have a big problem with one company deciding what it means to be a child, which as seen by the pictures, can have very incorrect ideas of right and wrong.  What I like about Barney's article and with this idea of responding is I think students sometimes forget the art doesn't have to be a representation of real life or of something you agree with.  You can create art about something you don't like, and what you say with that art becomes a part of who you are as an artist.  I think it's important to teach that to young students, especially as they are in a stage of trying to figure out who they are and what they stand for.

Comments

  1. Daniel, you discuss your views on Disney and this interesting notion about how Disney is marketing childhood. I'm curious as to how you find that affects your identity as a theatre practitioner. You say that though we forget, we are a part of the entertainment industry, but how do you grapple with that when you don't agree with the front runners of the industry or what the industry often represents as a whole? How do you fit into it all?

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  2. I love your thoughts on childhood. I was thinking the other day about how there really aren't definitive "shoulds" in life- just because you are living your life differently than another person, doesn't mean that you are living your life incorrectly. Our lives are only our own and we don't have to live it a certain way (however, my thoughts on this are changed when looking through a religious lense. I personally believe that there are some things we should do in life because of religion). That being said, I'm wondering about your other two pieces- like Mandarin, I'm wondering how you relate to Disney starting as a mouse with the juxtaposition of the racist image? And how do you relate to the workers on strike? How is your perspective different from those who do identify either as a different race or are a Disney employee?

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